Gen 1

Week 21 – Location Scouting – Impossible Color SX-70 (Gen 1)

After a long-ish series of events, I finally tracked down and installed a frog tongue onto my SX-70. I had a spare pack of color film ready for an event sponsored by The Impossible Project here in Atlanta (that I ended up missing) and I figured I'd go test it out.

Even after doing all of the tips and tricks I have read, these photos turned out a little better, but still not where I want them to be for paying $25 bucks a pack. Aside from things being a little red on everything outside (Atlanta is quite warm) I just didn't feel like much of anything was exposed correctly. Oh well, it was a fun little experiment. Maybe once all of the kinks get worked out (if they ever do) I'll invest more time into Impossible instant films. 

Development Notes:
Frog Tongue shielded images after coming out of camera, placed into film box while developing
Minor color correction done post scan.

Week 19 – 4th of July – Impossible B&W SX-70 (Gen 1)

Yes, I know. "shield the print immediately once it comes out of the camera". I'm working on that. When I bought this box and another of color a few weeks ago I made sure I picked up a frog tongue at the same time. However it ripped while I was trying to install it, so I had to get another shipped to me. But that aside I still think I had very few images that 100% worked.

Thats not to say that I don't like these images. They have their flaws, but each one is a unique moment in my life.  Now if I can just figure out how to trick the camera into faster shutter speeds or get a tiny tripod to stop my hand shakes. But that's an issue for another time.

Week 15b – Morgan – Impossible SX-70 Color Gen 1

Color impossible film (at least here in Gen 1) has a much stiffer learning curve than its B&W counterpoint. It is much more sensitive to light as it comes out of the camera than its B&W counterpart. I see now why most people recommend turning the exposure compensation a touch darker than expected.

I find myself less excited with many of the shots that came from this pack. Not only was it more expensive than most other stocks that I am working with, the 30 minute development time made it hard to see my mistakes and correct them. Although I hear that Gen 2 is a bit faster, I'd be curious to see what results I can get out of that instead.

On the positive note I did find a new location to shoot in, and it just so happens to be right across the street from my apartment. 

Development Notes:
N/A

Week 15a – Morgan – Impossible SX-70 B&W Gen 1

One would think instant film would be easy. Just point and click. But there is much more of a learning curve than you would imagine.

This was my first time using Impossible film, and I had read that the early generations were a little tricky to work with. Little did I know they were a touch harder than I expected.

The first time I worked with Morgan (about week 6 into my project) she insisted that I use my two boxes of Polaroid films on her. So of course I had to say "yes".

Overall I am pretty happy with the results, however next time I need to control how much light hits the film once it first comes out of the camera. I'm not sure how useful overall instant film is...but I am not against it.

Development Notes:
N/A

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