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Top Photos of 2018 - An UNEXPhotography year in review!

So here we are, it’s that time again. Another year has almost come and passed. 2017 was a HUGE year of firsts for me (I mean, you can see that here if you like, just make sure you come back), and even if 2018 wasn’t as huge, I still accomplished several new things.

Unlike last year, I only averaged a shoot every 1.85 weeks this year, but I still was able to create some quality work and capture some quality times from my friends and clients.


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The year started almost immediately, I was at a company meeting for my day job and was challenged with a team of my peers to make a series of images. I’m not sure if I ever actually shared this with anyone since most of my work is portraits and not abstract works, but I still liked how this one turned out.


I was hired to shoot some photos for one of my cosplay clients, and after wrapping I just wasn’t done yet. I had built a very simple and basic lighting setup against a blank wall and asked Kat to step in for a few shots after she finished with a shoot of her own.

I still love how these turned out, and I’m not ashamed to admit I’ve ripped myself off with a similar lighting plan on several shoots after this one.

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It also just occurred to me that I never posted any of the final images from the shoot I was hired for. Unless one or two made it to Instagram.

The final images that were delivered to the client were drastically different than this one, mostly because their vision was something very specific (even if it wasn’t really my cup of tea in the end). But I’m still very thankful that I was allowed to experiment on some final images after we shot what was needed.


A short time later I had the chance to shoot New York Burlesque Royalty Nina La Voix while on a business trip. I was happy that she took the time to respond, and actually took a chance to meet up with me in my hotel room for a shoot. We captured a couple of different set-ups that day, but I still love how this image came out.


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Zachary reached out to me again to document some photos for what would become the second of his Talon’s Grasp series. We shot this book cover almost exactly one year to the day that we shot his last cover in 2017.

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And of course it wouldn’t be a shoot that involves Zak without some out of context snaps that actually end up looking pretty good.


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Where would I be without Dom inviting me to shoot concerts that he books when they come through town. I didn’t get to be at as many as I would have liked to this year, but I still love the photo of JD from Grendel as well as the below photos of Ghostfeeder’s guitar player (I never did catch his name) and Peter Turns Pirate frontman Neil.

I need to partner with Dom and make sure I can schedule my time around more of his shows. They are always a good time.


Around this same time I was given the chance to work with Tru Facade and take some of her first burlesque performer photos. She has grown so much over this last year, and I am so happy that I was able to be there at the literal beginning.


In a first in a LONG time I was invited to be a part of a few different art shows. Kate AKA Artetak did a great job at stoking my ego by actually wanting me to be a part of some of the great shows she has held this year.

But of course where would I be without my subjects. Big shout out to Roux for playing ghost in my entry to the “Occult” themed show, and Kali Fornication for being willing to be tied up by a bunch of random cables for my “Sci-Fi” entry.


Put on your best “monster truck voice” because, Sunday, Sunday, Sunday. I met Sunday when she came along for a birthday brunch of mine this year, and knew that at some point we had to work together. Sunday has a great look, and I’m so happy of the work we made together. Can’t wait to shoot more.


I’d be completely lost if I didn’t mention my local Atlanta burlesque family, I didn’t do as much work for them this year as I would have liked to, but that doesn’t mean that 2019 won’t be different. I’m working on a few special things…so stay tuned.


I spent a week in Germany this year for Photokina. This is the second time I’ve been out of the country, but I am already seeing a trend. When in a place where I don’t speak the language I seem to let street art speak to me on behalf of the people who live there.

Sometime I’d love to spend a period of time in Europe just walking around taking photos of stickers and spray paint. Maybe the occasional bicycle as well.


I had one of my blog posts picked up by two international photography blogs (so you don’t have to). I’m still riding the waves of this since it hit me basically out of nowhere. I’m so entirely thankful that two publications thought so highly of me, and I hope that I can leverage some of the contacts I made during this process to get the opportunity to try and review more products next year.

Also (and I’m sure I’ll be posting about it later) keep your ears open to hear my goofy voice on a podcast in early January.


For Halloween I partnered with Courtney from Courtney Walters Makeup to turn her partner Taylor into a spooky skeleton. I loved this shoot, it was so simple yet so expressive. And of course I love how excited people get when I turn their living room into a makeshift studio.

Courtney and I will be collaborating on a few different projects in 2019, so please stay tuned for that.


Keep your eyes peeled for a stand-alone blog post of this gentleman right here. LA Comedian and Podcast host Rivers Langley.

We squeaked in this shoot on the friday before Christmas and I was able to finalize everything while I had some downtime at home. I should be getting that post up pretty soon, so I’ll save my comments for then.


And of course, where would I be without my friends who love the work I do so much that they ask me to be a key part of their special moments:

Jessica and Thomas

Erin and Preston

Jesse and Rachel


I want to make sure that I give a big Thank You to everyone I have worked with or have talked about working with this year. And also a huge thank you to all of you who follow this blog (or at the very least catch updates as they come through your social media feeds).

I don’t want to put the cart before the horse but I’d like to say that big things are coming in 2019 one way or another, and as always I’d love to see you all there for the ride.

From me to all of you and yours, Happy Holidays and a beautiful new year!

2016: A Year in Review

Oh hey there! Yes, I know it's been a while. But fear not, I'm still around. Just unintentionally took the last two months of the year off. I guess I just needed to take a bit of a break. Right now I'm lying in bed, getting over the last little bit of some flu or some other sickness. I figured if I can't be good for much else, I may as well get my yearly review post out of the way. 

Much like last year, I had a very hard time getting things narrowed down to just 5 images. But since this is my blog I guess I'll do what I damn-well please.

 

On a rainy Easter Sunday, Sara and I took an afternoon just doing whatever we could. Just being cool. Some great photos walking around Atlanta and getting caught out in the weather. 

Cody, Damien, and Coco from Ecto Proxy asked me to shoot some promo photos for them this year. We had planned on a few different shoots, but this one was the only one that materialized. Not that I am complaining. We had fun with a simple white background set up in the practice space. 

I actually don't think this photo of Hada Pixie ever got shown in its full resolution this year. Long story short, we were trying to save it for publication, but it never did get chosen. None the less, I still like what we were able to do with such a simple setup.

Sig and Nikki. So glad to get the chance to shoot them both together. After having individual shoots with both of them over the course of the year, October came and with it came Halloween photos. I was extremely happy with a lot of the photos we captured that day, but this one still stands out as one of the best of the year.

Unintentionally 2016 became the year of the cosplay. Shooting with Sig (also mentioned above) with his Red Hood costume, got me tied in with Hysteria Machines (and with it Risky Sour, Persephone Phoenix, and Jesse), as well as Estella Zorn and her great gender swapped Tuxedo Mask. I never really fancied myself a cosplay photographer, but if the shoe fits...I'm not opposed to wearing it.

Honorable Mentions:

Stoneburner: The Mouse Tour + Die Sektor, Finite Automata, And Zy_Gote (G-master 85mm Test)

So I make it a pretty obvious that I am a die hard Sony fan. But that's a story for another time. Earlier this year Sony announced a new series of lenses designed for their pro line bodies. I'll spare you those details as well, but let's just say that they are billed as being the next best thing in photography.

I have thought about this glass since the announcement and have wanted to get my hands on the 85mm f1.4 lens. I broke down and rented one for the next few weeks, and of course wanted to give it a good solid test. I'll start with a few of those photos, and then will transition into the rest of the photos from the night. For those of you here for photography things and not tour photos, keep your eyes open. I'll be posting another blog entry once I completely put things through their paces. 

G-Master test Images:

And now more words and tour photos:
Starting the night was Zy_Gote. Stan is no stranger from this blog, and you may remember him from some of the studio test photos from last year. This was his first live show, but you would never know it by the quality of the music and performance. I'll be the first one to say that the set went off without a hitch, and it can only go up from here.

Then Finite Automata took the stage: 

Atlanta based (for not much longer :( ) Die Sektor was up next:

And finally, the headliner for the night. Stoneburner:

Snog + The Labrynth: The Compliance Tour (Finite Automata and Ecto Proxy) – 04/20/2016

I don't fancy myself a band photographer. But sometimes when the shoe fits, you just have to wear the hell out of it. I was invited by Dom of Finite Automata to photograph their show with Snog and The Labyrynth for their Compliance Tour 2016. 

Recently I had the chance to add one of my "legendary" lenses to my collection, a Minolta 70-210 f4 (The Beercan). I was itching to try it out, and especially in a lower light environment. Overall I found it to be a little hard to work with at times, but I was extremely happy with what I was able to capture. I'm really happy that this lens fell into my lap, and I can't wait to use it in a more controlled environment.

The first opening act was previously featured in ReGen magazine, Ecto Proxy. Since shooting them a few months ago I have been in close contact planning a shoot for their press kit (Spoiler alert, coming soon). 

Next came a group of guys who also are no stranger to this blog, Finite Automata themselves. You may recognize a new guitarist from the last time we worked together. Damien from Ecto Proxy has stepped up and joined another project (So it's time to update their press kit photos as well). 

Next up was The Labrynth:

And finally Snog!

At the end of the night, I was pretty happy with the images I was able to capture. And as always big thanks to everyone for inviting me out to snap a few shots. Keep your eyes open, and ears to the ground for some new photos coming soon from both Finite Automata and Ecto Proxy. 

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